Jill Jones - she's bilingual but not single. It's 1987 and all over the world the completely amazing Prince-helmed "Mia Bocca" fails to be a smash hit. Tut.
Girl Power, a decade early: it's the brilliant Mint Juleps.
Now That's What I Call Stalking.
Raccoons: carriers of rabies AND amazing pop tunes.
Sometimes I really do wonder what goes on when record company types are trying to decide on what singles to pick from an album. It is, of course, a very […]
Can a band be considered to be one of the most successful in the world without ever having had a hit single? The answer is, of course, yes, but the […]
I think we’re all quite used now to the notion that pop stars and their employers often don’t enjoy an easy working relationship, and in many cases it appears to […]
Why does everyone hate Sting? Ok, let me re-phrase that. Why did British singles buyers hate Sting? One more question and then I’ll move on to make my point. How […]
Nothing – not even a cold macaroni pie from Greggs – makes this ex-pat Glaswegian well-up like the opening bars of Deacon Blue‘s 1987 debut Raintown. It probably helps that the record […]
If you thought Sia donning a platinum blonde fright wig to wrestle back a degree of anonymity was an exciting new pop concept, please think again – Latin freestyle trio Company B […]
In rock music there seems to be an unspoken rule which states success automatically attracts success. Generally, as an artist grows in stature and the money starts to flow, the […]
Here’s another good example of the sort of thing that happens once a band has passed its Imperial Phase – songs that would have previously sailed into the top 20 […]
It’s almost impossible to discuss pop music at the end of the 1980s without mentioning Stock, Aitken and Waterman. For the last two years of the decade they essentially colonised the UK charts, […]
In the mid to late eighties there was a bizarre sort of supermarket trolley dash by male pop stars seemingly hell-bent on scooping up every past-their-sell-by-date-but-still-safe-to-consume female diva from the sixties […]
A few years ago I wrote a thing about the challenges Madonna faced as she entered the fourth decade of her career, and I ended it by asking the question: “if Madonna […]
. FRENCH POP ALERT! You can count on one hand the number of French-language hits that made the crossover to the UK charts. Joe le Taxi. Voyage Voyage. Dominique. Je T’aime…Moi Non Plus. […]
Take one German pop star, a Scottish "intense, weirdo-electronic-noise-merchant" (Smash Hits, 1985), stick them on the most exciting label of the decade and what do you get? Total amazingness.
Most people, if asked, would say that Seven Wonders was a proper hit, so familiar has it become; and if you lived in America you’d be right, because it made a fairly respectable no.19 there. […]